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Hiphop - Your Daily Stop - By Trina

 
Your daily stop for all things Hip hop... rants, raves, funny and useless stuff.
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Hiphop

Hip hop videos done in The Sims

July 1st 2008 04:17
I'm trying to combine as many posts as possible this week... today, a post on hip hop videos done in the super-popular life simulation, The Sims.

I've only played The Sims a handful of times... sure, it's a little compelling, creating a virtual embodiment of you and your roommates, then locking your roommate in his room when he has to pee, causing him to wet his pants. It's great for that, sure - but at some moment you realize that you're playing the game, essentially, to go shopping for more things to put in your house - and that drove me from it.

Other people, though, love the game, and hip hop fans went another step further. Videogum has a post on the 10 best hip hop videos done in The Sims.


For example, how about a little MIA for breakfast?



Personally, I chuckled at this "Goldigger" video from a Sims-Kanye West:



My tastes are a little old skool, so I didn't feel much about this list. Give me a little Ol' Dirty Bastard or even some NWA going "Gangsta Gangsta".... got some?


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Posted By: Cibbuano - Category: Videos
   


Here come the Dino 5 (LINK)

June 28th 2008 04:40

Fresh new all-star hip hop release, for kids!!

Prince Paul, the super-producer behind classic De La Soul albums 3 Feet High and Rising and De La Soul is Dead, has formed a new supergroup to release Baby Loves Hip Hop, a hip hop album for kids. Named The Dino 5, the group consists of Prince Paul, Chali 2na from Jurassic 5, Scratch from The Roots, Wordsworth from EMC, and Lady Bug Mecca from Digable Planets. Their album is a concept hip hop album for children, and in typical Prince Paul fashion, the album tells a story. A group of Dino kids (Rahzel as Teo Pterodactyl, Wordsworth as Billy Brontosaurus, Lady Bug Mecca as Tracey Triceratops, and Prince Paul as DJ Stegosaurus) encounter a very scary T-rex (Chali 2na as MC T-Rex) on the playground. Naturally they are terrified, and treat him poorly because of this. However, MC T-rex turns out to actually be a misunderstood giant, who only wants to play with other Dino kids. In the end, they reconcile, and get together to form the Dino 5 group to perform in the "Dino-school" talent show.

The album is full of positive messages and morals, and is a fantastic idea at a time when hip hop gets a bad name more often than it deserves. I myself am proof that the album can be enjoyed by hip hop fans young and old, with the storyline approach (narrated by grammy winning poet Ursula Rucker) and catchy songs being a huge hit with kids, and typical Prince Paul banging beats keeping the older more accomplished hip hop fans satisfied. At times the beats leave you wishing they weren’t wasted on a kids album. Although, He’s being doing it for so long now that you can be sure it won’t be the last you hear from him. The lyrics and storyline on the album are enjoyable, and 2nafish and the crew are as tight as ever on the mic. However, due to the kiddie-focus, it probably won’t rate highly on the replay scale. Unless you have kids, that is, who will want to hear it endlessly no doubt.

Check out the interactive website at www.dino5.com for more info, and keep your eyes (or your kids’ eyes) peeled for a possible cartoon series too!

Reviewed by 'Crack' at www.verygood.com.au
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Posted By: James 2 - Category: Interviews
   


Interview with Ara Adams since leaving Katchafire

June 28th 2008 04:27
Ara Adams

Hey Ara, It’s nice to get a chance to talk with you so thanks for taking the time man… I’ve seen you in action from afar as well as up close over the years, whether its been performing onstage or organizing things behind the scenes you pretty much do it all from what I gather… So i’m going to start with the usual questions to catch up those who aren’t as familiar with your history, and then maybe we’ll go a little bit deeper… Sweet?

Where did it all start? What did, has, and still does inspire you?

Where did it start aye? I would say it started when I was a kid just being around my dad and uncles when they use to have their (ahem) ‘many’ guitar garage parties which always mysteriously ended up at our house. Haha. Good times when we were kids. Music was kind of ingrained in me from then. I didn’t actually pick up a guitar though until I was at college and that’s when I was doing kapahaka hard out so I was the guitarist for our group. I always wanted to play bass since I heard Ardijah back in the 80’s but I didn’t get one until I was 20 which was in 1995. I was content to just jam away with a few mates until I went to see the EAGLES live at Western Springs 25 November 1996. I was brought up on the Eagles and seeing them live lit the fire inside me to aspire to be a professional musician. From that night forward, thats all I thought about. Not long after I joined Katchafire, and that shot me far beyond what I ever thought I was capable of achieving. Realising that I could reach places that I thought was only held for the lucky, or selected few, I decided to quit Katchafire and continue my quest for learning and growing, and doing it all over again!! Some might think Im crazy – I can confirm that I am. I fully believe that I can do it all over again and Im loving the ‘freshness’ that I am now bringing to my own music. Something that I felt I couldn’t do while staying in Katchafire. So now Im putting in the hard hours learning, growing, jamming and I am so keen and eager to get back out on the scene starting from square 1 again. Yeeah that’s what keeps me amped. Ask my wife – she’s sick of hearing about it hahaha!!

You played bass for Katchafire for 6 years as well as taking a central role in management and organization of the group. Katchafire has built up a massive following in so many places now, and have toured around all corners of the world. Must be a pretty amazing feeling after starting out as a Bob Marley covers band on the New Zealand scene eh? How did that unfold?

Yer it was a massive feeling to go from a straight covers band to playing mostly originals. It unfolded because we could all see that people were still vibin hard on reggae music even though there was really nothing out in the charts or on radio. Once you can see people vibin to the music the boys started writing our music and slowly intergrated it with our covers sets to see what the reaction was. Every now and again we would play at festivals and road test our originals on the public and it was bumpin. We got told by radio directors that reggae music was a waste of time if you wanted radio airplay cause no one listens to it. Fortunately Mai FM believed in us, they jammed the tracks, and the next thing you know we won a NZ Music Award for the highest selling single which proved that people wanted to hear it. After that came our first album REVIVAL, and the rest is history… The management side of things was really a Labour of Love. I worked tirelessly on our bookings, finances, website, etc…. while Mai FM worked on the distribution, radio and tv airplay, and between the two of us we managed to get the profile of Katchafire to decent place. Both parties have now moved on though but it has been rewarding to see the fruits of your labour appear.

I understand that you have recently left Katchafire to pursue your own musical path. Whats your new passion? what led to your decision to choose this new path, and how did it feel leaving?

My new passion is to do it all over again!! Play live at all the cool clubs, at all the cool festivals and bump some new sounds. Yeeyah. Luv that shit!! The reasons behind my decision to leave was a lot of reasons! In a nut shell it came down to ‘it was the right time.’ It was a mixture of spending more time with whanau, needing to move back home to Paraparaumu, personality differences within the band, different priorities for me, and the fact that my musical taste and ambitions were different to where the band wanted to go. Ultimately I knew on 17 June 2006 (Im good with remembering important dates haha) that I knew I had to leave the band to have a shot at fulfilling my potential as a musician. I knew staying in the band wouldn’t allow me the room for me to grow so the decision was quite easy in the end. When I left I felt free again – free to start all over again and free from the world that we had created when I was in Katchafire. Life while in Katchafire was massive, but when you start havin kids, and your kids don’t wanna know you when you return from 6 weeks overseas, that really fkn sux!!! So while it is an awesome lifestyle for most people, I had changed and therefore I needed to change my surroundings which saw me depart from Katchafire.

You're involved in the business side of music as well as writing & performing right? What exactly do you involve yourself in on the business side (booking, promoting, marketing, labels) and was your involvement by choice or necessity?

Good question. Yer I am involved in the business side of music while I continue to work away on my own material. I am involved as a booking agent and my clients include Katchafire, House of Shem, Opensouls, Cornerstone Roots, Unity Pacific to name a few. I actually don’t mind this suit of work as it keeps me in touch with a lot of venues and festival organizers which I am hoping to use when I am ready to hit the stage again. But YES, the decision to do this is by necessity. I have to somehow pay my mortgage, feed my family and pay the bills so I do this work while I chip away in the studio. I am very very grateful that I could leave Katchafire, and still make a living in this NZ music industry. I work hard and I jam harder so as long as I can keep that balance its all good. If there does come a day when I can give away this music business side of things I will. I wake up excited in the mornings to make music, not to ring up to book gigs, but its still a great job nonetheless!!

In my experiences, some crazy things go on when your touring, some great, some not so great… anything come to mind when I say that?

I remember falling through the roof once at a venue in Napier and being knocked unconscious… Crack up when you think about it now!! Yer there are bad times, but all I choose to remember is all the fun stuff. The jamming on stage, the awesome people you meet, the different cultures you encounter, meeting famous people. I mean, I NEVER EVER thought I could go to the UK or HAWAII without paying a single dollar – in fact they give ME money to jump on a plane to jam in front off them. That’s crazy to think that people thought that highly of you and your music. I’ll remember those euphoric moments on stage – that’s what you live for and that’s what I’m striving for again. Those moments of magic where everything and everyone is connected thru this thing called music. Luv it!!

I’ve spent the good part of my life in Aotearoa (New Zealand) watching such a beautiful array of solo artists and groups spawn. For me, I’m talking about Che Fu & the Krates, Trinity Roots, The Black Seeds, Otautahi Allstars, Fat Freddy’s Drop, project nRt, Salmonella Dub, Cornerstone Roots, Bic Runga, King Kapisi. There are far too many to mention, but if I have missed a few who you wouldn’t have… who would they be? And who are the new kids on the block to look out for?

Definitely Kora, Shapeshifter and Opensouls! The sounds of kinda changing here to with this electronic/jazz/soul/funk vibe thing. Of course NZ music can never be one genre as we like to mash it!!! But there are sooo many good NZ bands out there on MySpace its inspiring! Check out The Constituents, Harbour City Electric, Bluevibes to name a few. Mark de Clive Lowe is a huge inspiration to me too as he is one person who is doing what I want to do. He jams a whole lot of loop based stuff, and layers all the parts in live, then drops different things in and out, and that’s exactly what I want to do. I didn’t even know there was anyone doing it till I started searching and then Blam – there he is!! So check out Mark’s video’s on MySpace if you into live loop based jammings.

With all of your success and I suppose happiness so far, what’s the next dream for Ara? and what are you doing to turn your dream into your reality?

Bro, I’m a big dreamer…. And I’m big on making them come true too. I’ve already said it above but I want to taste the success again of people vibin your music live again. From the smallest coolest club in NZ to Japan, UK and Europe!! I also want to get to a point where I can live off my music and get that free hold beach house. Not a day goes by that I am not doing something to further my music. I am into learning and researching magazines and websites for tips, I jam a lot in the studio and with other people, and I listen to a shit load of other peoples music that inspires me. I love to think ‘outside’ the square a little and experiment and try other shit. I’m really getting into this whole new electronic/jazz/soul vibes right now.

Are you a musician or an artist? Back it up brother.

I suppose I would say I am both. A musician is someone who can play music, an artist is someone that can create pieces of art (music, paintings, sculptures, ete…). I suppose you would therefore say I am a Music Artist. Sounds pretty anal aye…”Hi Im Ara and Im a Music Artist.” I don’t know bro, Im just a Maori brutha with visions of big dreams in Music. Call me what you want haha!!

We know you play bass… what’s your approach to the new album. One man band, collaborations… how will it play out?

Definate collaborations. I don’t really find too much joy with it just being all about me. I love to feed off other peoples energy and vibes. As long as we are on the same wave length its massive seeing where things can go and how things change when working with other like minded people. I play bass, keys, guitars, sampler and I get my bro to jam drums over the programmed drums…. Its makes the beats sound even fatter when combing those two elements. I really want to work with singers and lyricists that feel have a Soul and a Vibe about their voice which has emotion in it. If you can infuse that voice into the music that’s the shit right thurrr!!!! Man I wish I could sing…..haha. I also want to work with other like minded musos – anyone who feels they get into a huge sound of a melting pot filled with reggae/jazz/soul/funk/electro nic give me a call!! So if you jam or you sing holla at me on myspace.com/bastionafro .

I really want to make my name is a Live Artist first and foremost. If albums and all that comes then that’s all good but I really want to be a Live Artist first. You cant beat that energy and vibe when its happening live.

Cool cool, all of the crew at Very Good are looking forward to hearing your new sounds. What we’ve heard seems to be very diverse with a mixture of influences and styles and it’s going to be a welcome break from the norm. Cheers for taking the time and the best of luck with everything.

Cheers for the interview and sorry for my long ass winded replies. Now its off to my studio to jam…..

You can check out more of Ara Adams at: www.myspace.com/jazzafro
Interviewed by 'bs' at www.verygood.com.au
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Posted By: James 2 - Category: Interviews
   


Interview with True Live (LINK)

June 28th 2008 04:20
True Live

Hey guys, thanks for taking the time to catch up… for those who have just heard you recently, who’s in True Live, and where did you all hook up?

True Live started as a loose pool of players involved in a regular jam night in melbourne, which progressed to become the core 6 piece unit you see these days. The band is made up of MC Rhyno, Thomas Butt (double bass), Tamil Rogeon (violin), Tim Blake (cello), Joel Mammone (drums) and Thai Mattus (keys). We cut our teeth playing our fingers off at shows around Melbourne every week for about years, as the profile slowly grew around us.

New single “Damn Right” dropped recently, when can we expect a second album?

The new album is in the final stages of production at the moment, and we are hoping for a mid-year release for it.

What’s the plan for the next couple years? Any countries you are interested to work in?

We’re talking to a label in Japan about a tour over there, and we have a few gigs penciled in across Europe and America that we’re working towards at present. It’s early days still for our international presence, as we’ve been really focusing on our presence in Australia and the new record.

You guys really shine in your live performance… Does that have anything to do with your name?

I guess that with a name like ours, which was actually merely a way to describe the original weekly gig we were playing, we have to put on a good show. We are all working musicians who make a living doing what we love, and in this industry if you don’t perform then you don’t get any gigs, so we’ve all learned these lessons the hard way. You have to play every single note as if your life depends on it, cos in a way, it does. And in my opinion it’s this attitude that makes a real performer great.

In the Australian Hip Hop scene you stand out from most other groups as conscious lyrically, and organic musically. Have you got any love for other Australian Hip Hop groups?

We don’t really see ourselves as a hip hop band so much as simply a band, which stops us from getting too bogged down playing a genre and frees us up to think about the music we write and play in a fresh way. Of course we draw from hip hop, but we also listen to a lot of soul, electronica, metal and jazz. We are good friends with many Australian hop hop artists, and plan on working with many more in the future. The upcoming Uni-fied tour is a testament to the universal appeal of what we are trying to do.

What about current international artists... who’s got True Live’s Attention in the Live / Jazz or Hip Hop scene?

I’ve been listening to a lot of J Dilla lately, as well as Gnarls Barkley’s latest release, Pete Philly en Perquisite and the new album by Autechre. They’re all great, strong albums.

Jazz seems to be neglected these days, at least as far as touring goes. How do you find audiences react to your full live instrument performances and solo’s?

The jazz element of a true live show is often a great release, as we place the moments throughout the set to help the whole performance breathe. We find this is much more effective than overkill, where too much of a good thing loses impact. The audience seems to really engage with the soloist, and from the volume of the cheers after a good solo, it appears to be very well received.

I know some of the group members have little side projects outside of True Live. Anything we should look out for that you guys are working on?

Rhyno and Tamil are at working on The Raah Project, where they wrote for and recorded an orchestra, then took the result and chopped and screwed it and added electronic beats, vocals, synths and all sorts of other things. Joel is involved with the Bad Boys Batucada and CMW, a hard edged hip hop rroject that I’ll be contributing some beats to, and Thai is always busy with his crazy jazzish band the 12 Tone Diamonds.

Were Black Eyed Peas better with or without Fergie?

I wouldn’t like to gossip, but I will say that when I saw them support Roni Size in 1998 (pre- Fergie) they were pretty damn good.

Will True Live ever bring a girl to the group? Who would it be if you did???

We do have female guest and backing vocals on our current album, and the new album will also have girls adding to the sound. generally it has all been to the end of creating a good solid bed to support Rhyno’s vocals, as opposed to an attempt to sex up an all-boy band. We have been touring with Bec Ari recently, who has been great.

Cool, thanks for taking the time… looking forward to the new album… what’s it called?

Now that would be telling…

Peace

Thanks for having me.
Tom.

You can check out more of True Live at www.myspace.com/truelive
Interviewed by 'bs' from www.verygood.com.au
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Posted By: James 2 - Category: Interviews
   


James Brown auction at Christie's

June 27th 2008 09:09
James Brown as a little kid portrait
You can buy your own piece of the late James Brown's estate, as Christie's is auctioning off momento's from the Godfather of Soul's illustrious past.

Buy yourself a jumpsuit, or an open collared shirt, then launch into the spilts while shrieking 'yeaaooow!'.

I saw James Brown (who is still catchin' mah beat down) in concert once, and it was a sad affair. For one thing, the crowd was there for the big name, and didn't seem to appreciate the music. Secondly, ol' James was not his usual bad self, unable to do much dancing or even singing.

Instead, a slender girl in a Star-Spangled tank top came on stage and busted a good move, on the good foot. Brown did not look like much of a sex machine that day.

It's not like when you watch old videos of him in his prime. He was an angry man, used to getting his way. Yes, that made him a monster, but, on stage, all those human trappings would fall away and his unique showmanship shone brighter than any number of American flags.

He sang "This is a Man's World", but hardly anyone paid attention to the rest of the verse, requiring a 'woman or a girl'; James didn't hear it either, even though it came from his own mouth.

Why would you want to buy one of his possessions? Well, Cocaine Blunts is linking to some fun stuff, including a letter signed "Mr. Viagra". That's a real sex machine..


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Posted By: Cibbuano - Category: Artists
   


Interview with Opensouls (LINK)

June 26th 2008 12:45
Opensouls


Hey everyone, today we’re speaking with New Zealand’s Opensouls, a fine product from across the Tasman. The nine-piece collective is yet another Kiwi group making waves with energetic lives shows displaying their brand of funky hip hop laced with elements of jazz, reggae and soul.

So firstly, tell us a little about Opensouls for those out there who don’t know. How’d you form and who makes up the crew?

We formed out of the collapse of a former band 5th Floor. We have a horn section, keyboards, synths, guitars, bass, drums, percussion and vocals. Tyra Hammond - Vox Bjorn Petersen - Vox Julien Dyne - Drums Chip Matthews - Bass Harlin Davey - Sampler / Keys Steph Brown - Keys (currently in New York) Jeremy Toy - Guitar, Keytar Isaac Aesili - Trumpet, Percussion and a revolving horn section depending on availability.

Big things have been said about your live show, what can a crowd expect when you hit the stage? Any plans for a few shows on our shores in the near future?

We have plans to get across the ditch soon. We try and bring a party to every gig we play. It's a big band and such a big dynamic that when it works it is a guaranteed good night out.

Your style of music is a product of so many different influences, obviously a result of the different tastes and experiences in music the various members bring to the group; where did it all begin for the Opensouls?

I'm not sure where it all began but myself and the drummer Julien Dyne share a similar love for soul and jazz music which is the backbone of our sound. Dare I call it jazz music but that is the music that keeps your mind thinking and continually challenges how you perceive music. An extension of that is artists like Tribe Called Quest, Premier and Pete Rock who took the jazz vibe and re-hashed it without ever making it sound like acid-jazz.

The musical community in New Zealand seems to effortlessly intertwine itself; how has this affected the way the Opensouls operate?

It effects us in a sense that there are heaps of people to help us out and to give us advice. Sometime that advice is a waste of time because you can only follow your own path but sometimes having so many people that you can potentially bounce ideas off of is very refreshing.

The various elements that make up your sound mean that you are not bound to any one genre when it comes to collaboration, are there any standout artists that you’d love to work with?

Thats a tough question. You never know how well you will work when collaborating until you are there doing it. I would love to get Liam Finn to produce a track for us. He is a stand out right now. Of course, if Chaka Kahn came knocking we wouldn't say no. I have always wanted to play with Van Morrison. Soulful Irish music is big on my list.

Jeremy: Recently you picked up an award in New Zealand for Best Producer for your work with Hollie Smith on her album Long Player, how was working with her and do you have plans for anymore side-projects?

Working with Hollie on her album was a great experience for me. Hollie had set idea's about how she wanted her album to sound so I took my role as the person to push Hollie outside of her musical comfort zone. She is a massive fan of Voodoo and Mama's Gun and really wanted her record to be in the same vain as those records. I showed Hollie and the band the influences D'angelo, Erykah Badu, J Dilla and Questlove had when writing those albums and we tried to create an album that was not only influenced by these contemporary musicians but also by the musicians from the 60's and 70's that laid the foundations for the type of soul music Hollie plays. I am involved in other side projects. An Australian singer Tim Guy, he now lives in New Zealand. www.myspace.com/timguymusic Tim writes some of the heaviest music I have heard, really well crafted songs. I am also doing demo's with the Sami Sisters www.myspace.com/thesamisisters . They are 3 sisters with an undeniable talent for writing songs that grab at your heart strings and kick you to the kerb.

Your debut album, Kaleidoscope (released in April 2006), was mastered in Los Angeles by Stones Throw Records master engineer Dave Cooley. Did you get to go over there for that? How did the connection come about?

The connection with Dave Cooley came about when we needed our first 12" record mastered. I got in hold of him via the Internet not knowing he had done any work for Stones Throw, all I saw was a quote from J Dilla saying that Dave's studio was good, that was enough of a selling point for me. As he was mastering the tracks we found out his history with Stones Throw and we were blown away that such a heavyweight engineer was helping us out. From our initial contact his studio now works for heaps of New Zealand acts incl. Mark De Clive-Lowe, Nathan Haines and Eru Dangerspiel.

Recent reviews have compared your sound to that of Sharon Jones and the Dap Kings, Breakestra and Quantic Soul Orchestra; how do you feel about these comments? Are these artists that you draw inspiration from?

It is a hard comparison to take. Those artists are at the top of the food chain when it comes to Soul music. Yes, they are an influence but we are very aware that they have their sound and we need to develop our own sound, not just try and replicate what they are doing. I am more inclined to draw inspiration from outside the funk genre. I think there is more to learn from artists like Jeff Tweedy, Townes Van Zandt or Elliot Smith who communicate something through lyrics that only great songwriting can achieve.

As the Opensouls are involved in a variety of New Zealand crews (such as Che Fu’s The Krate’s, Ladi 6’s Verse Two, Recloose, Solaa and Tyra Hammond’s funk band The Tornado’s), is the Opensouls a side project for individual members, or are their other endeavours the side projects? How do this all work for the Opensouls?

This band is a crazy dynamic. I think we all will agree that when we get together and play live that it is the closest, best bunch of people that we could play music with. We all go out and work for other artists, as musicians we have to do that to keep our minds active but when we come off tour from those job and play as Opensouls we all realize that this is the one project worth putting in the hard yards for.

Hip hop is winding an interesting road through music history, what do you think of the current state of hip hop? And where do you feel that you fit on the hip hop spectrum?

I don't know much about the current state of Hip Hop. To me there is always going to be a stand out release that may fit in to the Hip Hop Genre but its always something a bit left of field. Madlib is still ruling, Common seems to be hanging in there, Erykah Badu's new album captured the vibe. There are some amazing things happening in Europe but it is more on the techno side of Hip Hop. As for what is on television top 40, I couldn't care less. I think Hip Hop is in a good position as far as where it sits in the industry. It needs to be an underground music, it needs that constant low hum that works away while the top 40 slowly eats itself and decays.

What’s next for the Opensouls crew? New albums in the making? Future tours on the horizon?

We are working on our next record. We have a 7" about to be release which will get to Australia in select vinyl stores, Northside Records etc. Hopefully if the Australian radio and television stations are nice to us you will hear our next single "Dollars" on the airwaves.

You can check out more of Opensouls at:

www.myspace.com/opensoulsspace

Interviewed by Crack from www.verygood.com.au
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Posted By: James 2 - Category: Interviews
   


The Sound of Philedelphia - Soul Train Video!

May 28th 2008 03:14
I found this video on a dark, dusty evening, trapped in the sleepy halls of the University, and it immediately filled my head with technicolour lights.

Found on Fazed, where it inspired a whole legion of internet denizens to get up and shake their moneymaker.

It's The Sound of Philidelphia, cut to select dance moves from Soul Train, a music variety show that ran from 1971 - 2006. In its heyday, it was a fantastic showcase of the originality of the human spirit, a fine testament to how the human body could express itself.



This just makes me want to dance. And imitate some of the wild moves, like the crazy head-shaking guy, or the man doing the hippity hop.

Even more than that, the women in this video are so alluring, twisted and grooving to a beat. It's sensuality captured from another era, transported into the present to set a whole new generation on fire.

From user rachelrose:

"oh and i just...stumbled on this while looking for a soundclip of that song.
i watched it 5 times in a row and sent it to my mom and medi
best thing i've ever seen. ever. "
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Posted By: Cibbuano - Category: Videos
   


Suge Knight gets knocked out

May 21st 2008 09:24
Suge Knight gets knocked out at a nightclub
For years, Suge Knight was hip hop's l'enfant terrible, dangling Vanilla Ice off a balcony, threatening Eazy-E with lead pipes, and driving Tupac to his death.

He brought thuggery to music, the figurehead for a musical genre that was immediately defaced by the media as a cover for guns and gangs. Since then, the gangster image has flourished, and Knight, as he's grown older, has lost prominence.

In the past few years, he's split with his remaining allies and gone broke.

And just recently, a patron at a Los Angeles nightclub knocked Suge out.

As one of the clever commenters says:

"Deebo had it coming. Dude’s Granmomma gave him that chain"